Resumen de Los puntos ciegos en el gran plano: algunos problemas en la representación visual de la violencia, la raza y el género en Roma de Alfonso Cuarón

Enrique Chacón

• This article analyzes the ideological background reflected on the visual artifacts used by Cuarón on the film Roma. It is analyzed principally the long-take and the wide shots, as well as the use of the photography in black and white. I am discussing here how this visual elements are problematic in relation to the representation that Cuarón claims to make of the race, gender and the historical events