This paper investigates Hedwig Conrad-Martius’ theory of representation, which is unique in that it introduces a method of ideation that is completely different from the one of transcendental phenomenology. Instead of separating the essence from the individual real entity through reduction, Conrad-Martius’ method of representation elucidates what constitutes the reality of the actual individual. In a representation, we can explore and play with our receptivity to the self-emergence of reality by observing the different ways in which our representations themselves appear as real. I will discuss this access to reality as a realistic phenomenological method not just in terms of lived experience, but also as eidetic reduction. My thesis is that Conrad-Martius’ theory of representation allows for conceiving how essences, as the immutable features of reality beyond surface perception, can be addressed by intuition, viz. representation. In a second step, a shift in Conrad-Martius’ thinking towards the constitution of reality in itself is discussed based on her second major work, Realontologie. Thirdly, Conrad-Martius’ theory of representation is roughly contrasted with Husserl’s to further elucidate what constitutes the “really real” in her phenomenology beyond the simple alternative between idealism and realism.