Fanfiction como adaptación: el caso de El Fantasma de la Ópera

• Greco, Clarice ^[1] ; Vassallo de Lopes, Maria Immacolata ^[2]
  1. [1] Universidade Paulista

     Universidade Paulista

     Brasil

     
  2. [2] Universidade de São Paulo

     Universidade de São Paulo

     Brasil

     
• Localización: Comunicación y sociedad, ISSN 2448-9042, ISSN-e 0188-252X, Nº. 17, 2020
• Idioma: español
• DOI: 10.32870/cys.v2020.7561
• Títulos paralelos:
  • Fanfic as adaptation: The Phantom of the Opera case
• Enlaces
  • Texto completo
• Resumen
  • español

    Este artículo discute las fronteras teóricas que separan las adaptaciones de textos literarios (por escritores profesionales) y las actividades de los fans, especialmente las fanfictions de El Fantasma de la Ópera. El enfoque teórico trae consigo la noción de “transcreación” y autores del campo de fan studies. Los resultados incluyen el reconocimiento de las fanfictions como una forma de adaptación literaria y la noción de El Fantasma de la Ópera como archivo o como “literatura arcóntica”.

  • English

    This article discusses the theoretical borders that separate adaptations of literary texts (by professional writers) and the activities of fans, especially fanfictions of The Phantom of the Opera. The theoretical approach brings the notion of “transcreation” and authors from the field of fan studies. The results include the recognition of fanfictions as a type of literary adaptation, and the notion of The Phantom of the Opera as an archive or as “archontic literature”.

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