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Roberto Bolaño explores of a fantasy of subaltern literature in his short story “Dentista” by rewriting Salvador Elizondo’s story “Narda o el verano.” This rewriting exemplifies an ideological repetition symptomatic not only a historical exhaustion of literature, but also of subaltern and cultural studies. The well-intentioned aim of the detective or academic to learn the truth about the subaltern Other is perverse when it maintains a hope that marginalization and suffering might be somehow redemptive. Bolaño shows this “exhaustion” not as the end of literary and cultural studies, but rather as a starting point for its revaluation.
