Producción, distribución y marketing de cine independiente en el mercado Internacional

• Cristóbal, Manuel ^[1]
  1. [1] Universidad Europea de Madrid

     Universidad Europea de Madrid

     Madrid, España

     
• Localización: Historia y comunicación social, ISSN 1137-0734, Vol. 19, Nº Extra 3 (Marzo), 2014 (Ejemplar dedicado a: La comunicación en la profesión y en la universidad de hoy), págs. 743-754
• Idioma: español
• DOI: 10.5209/rev_HICS.2014.v19.45174
• Títulos paralelos:
  • Production, distribution and marketing of independent cinema in the international market
• Enlaces
  • Texto completo
• Dialnet Métricas: 2 Citas
• Resumen
  • español

    La figura y participación del productor español en el cine es, en muchas ocasiones y ámbitos una figura desvirtuada y por ello desconocida. El cine como industria y la película como mercancía va más allá en su definición, entendiendo los tres pilares de la producción, distribución y marketing como absolutamente necesarios. En este artículo se analizan estas tres fases del cine independiente en el mercado internacional.

  • English

    The producer participation in cinema is often distorted and therefore unknown figure. The film industry and the film as a commodity goes beyond its definition, and understanding the basics of production, distribution and marketing are absolutely necessary. In this article these three steps of independent film are discussed in the international market.

• Referencias bibliográficas
  • DAVIES, Adam P, WISTREICH, Nicol The film finance hand book, how to fund your film. New Global Edition, Netribution Ltd., (London, 2007)
  • ESZTERHAS, Joe, Hollywood animal, Knopf, (New York, 2004)
  • ESZTERHAS, Joe, The devil's guide to Hollywood, St. Martin's Griffin, (New York, 2007)
  • EPSTEIN, Edward Jay, The Hollywood economist. The Hidden Financial Reality Behind the Movies, Melville House, (New York,2010)
  • EBERTS, Jake. ILOTT, Terry My indecision is final, The rise and fall of Goldcrest Films Faber and Faber, (London, 1992)
  • ANDERSON, Chris, The Long Tail, Revised and Updated Edition: Why the Future of Business is Selling Less of More Hyperion, (New York, 2008)
  • BISKIND, Peter, Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film, Simon & Schuster, (New York,2004)
  • BISKIND, Peter, Easy riders, raging bulls How the Sex-Drugs-and Rock 'N Roll Generation Saved Hollywood Simon & Schuster, (Nueva York,...
  • OBST, Lynda, Hello, He Lied -- and Other Tales from the Hollywood Trenches Broadway Paperbacks, (New York, 1997)
  • BAXTER, John, Steven Spielberg T & B EDITORES, (Madrid, 2007)
  • EISNER, Michael, SCHWARTZ, Tony Work in Progress: Risking Failure, Surviving Success, Hyperion Books, (New York, 1999)
  • MASTERS, Kim, The keys to the kingdom Harper Paperworks, (New York, 2001)
  • STEWART, James R., Disneywar Simon & Schuster (New York, 2006)
  • GRIFFIN, Nancy, MASTERS, Kim Hit & Run, Simon & Schuster, (New York, 1997)
  • SALAMON, Julie, The Devil's Candy: The Anatomy Of A Hollywood Fiasco, Da Capo Press, (Cambridge, Massachusetts 2002)
  • BACH, Steven, Final Cut: Art, Money and EGO in the Making of "Heaven's Gate", the Film That Sank United Artists, William Morrow,...
  • FRASER-CAVASSONNI, Nathasa, Sam Spiegel: The Incredible Life and Times of Hollywood's Most Iconoclastic Producer Simon & Schuster,...
  • PARDO, Alejandro, David Puttnam. Un productor creativo. RIALP, (Madrid, 1999)
  • CAINE, Michael, Acting in Film: An Actor's Take on Movie Making Applause Books, (London, 2000)
  • MACKENDRICK, Alexander, On Film-making Faber and Faber, (London, 2006)
  • FRIEDERICH, Otto, City of Nets: A Portrait of Hollywood in the 1940's University of California Press, (Los Angeles, 1997)
  • RODRIGUEZ, Robert Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player Plume, (New York, 1995)