Acceso usuarios
Maria Ignês Carlos Magno, Vicente Gosciola
This study´s main objectives are to investigate how cinema represents societies and territories that are constructed by the senses and desires of characters who experience continuous nomadism and are challenged to create new communities as they move. For those who leave or return, their destinies become memory, nostalgia, loss, hopes, achievements, associations, social networks and identity transfigurations spaces over time. The methodology was based on theoretical studies on human dislocation and by Brazilian films approach, notably those released during and after the period of film resumption , from 1995 on - that depict the displacement of leaving or coming back to the arid. As a result, we observed that in these films, the narrative is produced by the displacement because it is where the migrant, whenever going to new territory or returning to home territory, build their utopia or anti-utopia, imagining it individually or collectively. Thus we come to the concept of Dislocography to identify the film narrative that is shown as the characters are moving between and beyond their borders.
O presente estudo tem como principais objetivos investigar como o cinema representa as sociedades e os territórios construídos pelos sentidos e desejos de personagens que vivenciam nomadismos contínuos e que são desafiados a gerar coletividades enquanto se deslocam. Para os que se retiram ou retornam, seus destinos se transformam, ao longo do tempo, em espaços da memória, da saudade, da perda, das esperanças, das conquistas, das associações, das redes sociais e das transfigurações identitárias. A metodologia se pautou por estudos teóricos do deslocamento humano e pela abordagem a filmes brasileiros - notadamente os lançados durante e após o período de Retomada, desde 1995 - que retratam o deslocamento de retirantes do sertão ou para o sertão.
