John Finnegan, Armando Fumagalli
págs. 341-345
From Television to Cinema and back to Television Again (25 Years Later): Twin Peaks’ Ambivalent Scriptwriting Approach
Marida Di Crosta
págs. 346-355
Creative Strategies in the TV Adaptation of Fargo: Narrative and Aesthetic Features
Pablo Echart Orús, María Noguera Tajadura
págs. 356-364
págs. 365-378
The Italian Storytelling Approach to TV Seriality Compared to the US Method. A Case Study
Paolo Braga
págs. 380-394
Adapting Pippi Longstocking: The 1969 Television Series Moves from Sweden to Italy
Eleonora Fornasari
págs. 395-408
Co-Productions and the Logic of Negotiating Stereotypes: Bron|Broen and The Bridge
Bart Nuyens
págs. 409-422
págs. 423-432
págs. 433-447
The Leftovers (Reheated): Examining the Layering of Story and Character Archetypes in the Television Drama Series: The Leftovers
Marco Ianniello
págs. 448-462