Introduction: The International Circulation of European Cinema in the Digital Era
Damiano Garofalo, Dom Holdaway, Massimo Scaglioni
págs. 301-305
págs. 306-323
Crossing Borders: The Circulation and Reception of Non-National European Films in Italy
Huw David Jones
págs. 324-340
From Distribution to Circulation Studies: Mapping Italian Films Abroad
Dom Holdaway, Massimo Scaglioni
págs. 341-355
Italian Cinema in Film Journals in France and United States
Rossella Catanese, Emiliano Morreale
págs. 356-368
The Distribution of Contemporary Italian Cinema in the United States: The Films of Luca Guadagnino and Paolo Sorrentino
Michele Fadda, Damiano Garofalo
págs. 369-383
The Contemporary Circulation of Italian Cinema across US Television and Digital Platforms: Methods, Limits, Main Paths
Luca Barra, Marta Perrotta
págs. 384-394
National Screen Productions and Global SVOD Services: The Case of Netflix in the UK and Italy
Stefano Baschiera, Valentina Re
págs. 395-407
Blockchain: A New Way of Distribution, Promotion and Improvement of the Artistic, Economic and Cultural Situation of a Film in the EU
Ines Rebanda Coelho
págs. 408-418
Grasping “the Disturbing”: The Confusing Coverage of a Shooting in a Monterrey Primary School
Alma Leticia García, Beatriz Elena Inzunza Acedo
págs. 421-431
Mapping the Impact of ISIS Propaganda Narratives: Evidences from a Qualitative Analysis in Italy and France
Caterina Mazza, Sara Monaci, Gabriella Taddeo
págs. 432-447
Il pubblico del teatro contemporaneo: fra auto-osservazione e processi di fruizione
Stefano Brilli, Laura Gemini
págs. 448-462
págs. 463-481