Creative industry and gender: Reflections on a non-obvious combination
Alice Cati, Mariagrazia Fanchi, Rosanna Maule
págs. 349-356
Creating female audiences: The decline of the "girly" heroine and the return of the formidable "femme"
Hilary Ratner
págs. 357-367
Women's Festival 2.0 between grassroots globalization and neoliberal feminismn: The Birds Eye View Festival
Rosanna Maule
págs. 368-374
Contemporary TV for Womrn, between standardization and creativity
Cecilia Penati, Anna Sfardini
págs. 375-383
Kinga Polynczuk-Alenius
págs. 384-393
Power, gender, and the selfie. The cases of Hillary Clinton, Barack Obama, Pope Francis
Valerio Coladonato
págs. 394-405
Vidding as a gendered remix practice
Lucia Tralli
págs. 405-416
págs. 417-424
A photographic expression of gender criticism: Viewer's responses to artists'self-portraits
Gülbin Özdamar Akarçay
págs. 425-438
La crisi del padre nelle serie "cable" statunitensi: i casi di "Mad Men", "Breaking Bad" e "In Treatment"
Paolo Braga
págs. 439-451
Steven Maras e il "duscourse frame". Un approccio dinamico alla teoria della sceneggiatura
Raffaele Chiarulli
págs. 452-461
Metamorfosi del mitico, linee di sviluppo di una "mitocritica" cinematografica: da Gilgamesh ad "Iron Man"
Davide Navarria
págs. 462-471