Media Events and Geo-Cultural Markets: Narration and Framing of the 2010 Chilean Mining Accident in Newspapers in Chile, Mexico and Spain

• Autores: Christian Morgner, Francesca R. Molina
• Localización: Global Media Journal México, ISSN-e 1550-7521, Vol. 15, Nº. 29, 2018, págs. 110-136
• Idioma: inglés
• Enlaces
  • Texto completo
• Resumen
  • español

    Este estudio examina los eventos mediáticos desde la perspectiva de mercados geo-culturales al analizar los encuadres mediáticos utilizados durante la cobertura de los medios impresos del desastre minero chileno de 2010 en periódicos de Chile, México y España. El estudio evalúa las narrativas, dinámicas y perspectivas en dos encuadres principales –amor y héroes–para profundizar nuestro entendimiento de las estrategias de encuadreen el mercado geo-cultural hispano al abordar cómo los mercados geo-culturales pueden reforzar, localizar o trascender los marcos de referencia o diferir internamente. El objetivo es problematizar la aparente estandarización de mercados geo-culturales y analizar su ocurrencia diferencial en los encuadres, identificando correlaciones y disimilitudes entre las representaciones del accidente minero en las tres naciones. Además, la investigación destaca las variables en cada encuadre y su asociación con las características culturales del Sur Global, haciendo del concepto de encuadre uno más adaptable y flexible. Finalmente, el estudio demuestra que los encuadres de afecto y emoción fueron altamente influyentes para convertir al desastre minero chileno en un evento mediático.

  • English

    This study examines media events from the perspective of geo-cultural markets by analyzing the media frames used during print media coverage of the Chilean mining disaster of 2010 in newspapers from Chile, Mexico and Spain. The paper assesses the narratives, dynamics and perspectives in two main frames- love and heroes-To further our understanding of framing strategies in the Hispanic geo-cultural market by addressing how geo-cultural markets can reinforce, localize or transcend frameworks or differ internally. The aim is to problematize the apparent standardization of geo-cultural markets and to analyze their differential occurrence in framing, identifying correlations and dissimilarities among representations of the mining accident in the three nations. In addition, the research highlights the variables within each frame and their association with cultural features of the Global South, rendering the concept of framing more adaptable and flexible. Finally, the paper demonstrates that frames of affection and emotion were highly influential in turning the Chilean mining disaster into a medium event.

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