Acceso usuarios
Lucía Tello Díaz
El periodismo cinematográfico televisivo ha disminuido en las últimas décadas, a pesar de la multiplicación de canales. Esto sucede en el conjunto de los canales generalistas españoles salvo los canales del ente público RTVE, donde este tipo de contenidos se resisten a la extinción. En el resto de canales, el periodismo cinematográfico ha derivado en la publicitación de las cintas que producen sus propios conglomerados mediáticos.
Along the last decade, Spanish Television has experienced a radical transformation. Given that multiplicity of channels does not imply a superior offer of contents or media plurality, it is necessary to analyze the content of each channel to determine which contents have increased its presence on television, as well as which ones have been gradually replaced. In addition, we will interview twenty film critics, television presenters, journalist and program directors on this matter. Conclusions: Film shows have increasingly reached lower levels of representation on generalist public and private channels. In this context it is eloquent the existence of one channel into the Spanish public service broadcaster (RTVE), La 2 de Televisión Española, that broadcasts a wide range of film review television shows.
