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This article considers arguments on the book as a structuring paradigm for thought and how the rise of digital technologies shifts the structure of thought away from that of the print codex. Rather than making evaluative judgments on this transition from print to digital, this essay considers what differences exist between the structure of thought in print and in digital media and how that new structure offers another vision of the human subject. Developing a networked and ecologically aware state alters the unified and singular view of the subject born from the codex as organizing paradigm. After a brief review of the literature, the article presents short readings of the structure of two digital stories – David Clark’s 88 Constellations for Wittgenstein and Kevin Gold’s Choice of Robots – as a means of exploring how restructuring models of thinking from the print codex to digital platforms affects the literary representation of subjectivity.
