Acceso usuarios
Jorge Eduardo Vásquez Santamaría
Ruanda, Bosnia Herzegovina y Colombia desde los años noventa viven procesosde transición a través de los cuales buscan pasar de conflictos socialesa la reconciliación y la paz.Tomando como base esos escenarios que históricamente coincidieron comolugares para la expresión de la violencia y el enfrentamiento se pretende recrearla configuración del perdón a partir de la crónica como género literario.El ejercicio, ejecutado desde un modelo cualitativo con enfoque históricohermenéutico centrado en la investigación documental, arroja una reflexiónteórica del perdón que devela una mirada donde se entremezclansignificados que lo comprometen con su dimensión de acción humana, supotencial frente al mal generado, con su condicionamiento, el olvido y lamemoria. Reflections for the construction of forgiveness in the internal armed conflict of ColombiaAbstractRwanda, Bosnia Herzegovina and Colombia since the 1990s are experiencingtransitional processes through which they seek to move from socialconflicts to reconciliation and peace.Taking as a basis those scenarios that historically coincided as places forthe expression of violence and confrontation, the aim is to recreate theconfiguration of forgiveness based on the chronicle as a literary genre.The exercise, executed from a qualitative model with historical hermeneuticfocus focused on documentary research, throws a theoretical reflectionof forgiveness that reveals a view where meanings are intermingled thatcompromise it with its dimension of human action, its potential against thegenerated evil, with its conditioning, forgetfulness and memory.
Rwanda, Bosnia Herzegovina and Colombia since the 1990s are experiencing transitional processes through which they seek to move from social conflicts to reconciliation and peace.
Taking as a basis those scenarios that historically coincided as places for the expression of violence and confrontation, the aim is to recreate the configuration of forgiveness based on the chronicle as a literary genre.
The exercise, executed from a qualitative model with historical hermeneutic focus focused on documentary research, throws a theoretical reflection of forgiveness that reveals a view where meanings are intermingled that compromise it with its dimension of human action, its potential against the generated evil, with its conditioning, forgetfulness and memory
