Acceso usuarios
Margit Feischmidt, Gergő Pulay
The aim of this paper is to understand contemporary forms of nationalism in a socio-political context in which neo-nationalism has obtained a dominant role not just in politics but in public discourse and in the cultural field as well. It investigates the emergence of a particular music scene in the beginning of the 21st century, shaped by rock bands and performers and supported by far-right political actors, which has made the ‘national’ imagination emotionally and ideologically appealing to a considerable part of Hungarian society and first of all to young people.
