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The Exorcist posits that its eponymous character first battled a demon in Africa. The rest of the films in the series then, echoing a strong trope in American horror, site in Africa the locus of evil. By juxtaposing these narratives with Frantz Fanon�s writings about possession in The Wretched of the Earth, one might see how colonial violence and indigenous possession belief reflect a culture in tension over the violence done to bodies and the freeing power of exorcism
